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Hyperrhiz: Kits, Plans, and Schematics

Hyperrhiz Poster

Join us October 15, 4pm-6pm in the ModLab (Fine Arts, Room 215) for the opening of an art exhibition entitled “Kits, Plans, and Schematics.” The exhibition will also serve as the launch of the Fall 2015 issue of the online journal Hyperrhiz.

As the maker movement has infiltrated the academy, with delightful results, we find ourselves confronted with physical and media objects that can often be exhibited but not “published” in a permanent forum. The newest issue of Hyperrhiz will publish executable culture of all sorts: blueprints, plans, “kits for culture,” 3d-printable files, recipes, and detailed documentation of performances, exhibits, happenings. This exhibition hosted by the Digital Studies Center will feature the physical objects and installations associated with this issue of Hyperrhiz. Wine and Cheese will be served.

 

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Comic-Making, Map-Making, and Re-Shaping Workshop

Jake with MapComic-Making, Map-Making, and Re-Shaping Workshop
Sept. 30 from noon to 2 p.m. in the ModLab (Fine Arts 215)

What if comics weren’t patterned after books? What if comics had some other shape? In this hands-on workshop, comics artist Rob Berry will challenge us to envision and design a comic story that unfolds like a road map rather than a book. Berry has prepared a template for page design using ComicLife software and will bring examples of work made in this format. Those attending the workshop will use ComicLife to build maps of their own. This is a hands-on, art-making workshop.

Free Lunch will be served.

RSVP recommended but not required.

[form comicsmaps]

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Well Played: Dokapon Kingdom

Join us WednesdayDokapon_Kingdom_cover, September 16 at 12:15 in the ModLab (Fine Arts 215) for a Well Played session of Dokapon Kingdom, a role playing game that Atlus USA has promoted as “friendship destroying.” Preventing fellow players from progressing is a significant part of gameplay, and this Well Played session will feature a discussion of these game features and others. Dokapon Kingdom is considered a party game, and we’ll also discuss this genre, which extends beyond videogames into parlour games and icebreakers.

Those attending will have an opportunity to both play and discuss Dokapon Kingdom. This event is open to the public.

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The Journal of Biological Sciences Launches Online

JBS ThumbThe Journal of Biological Sciences at Rutgers Camden is a scientific report by undergraduate students in the Department of Biology at Rutgers University – Camden. Most of the work reported in this journal comes from original research projects initiated and performed by students during a single semester. As part of the a Principles and Practices of Biological Research course, students complete a cornerstone project and publish the results of that project in JBS.

The mission of the journal is to provide undergraduate Biology major students the opportunity to learn critical thinking and academic research skills by establishing a hypothesis, testing that hypothesis, and then reporting the results of their original research. All papers published in JBS are evaluated and published after a peer-review process by student and faculty reviewers.

The journal is a joint project between the Rutgers-Camden Department of Biology and the Rutgers-Camden Digital Studies Center.

Read the newest issue of the The Journal of Biological Sciences.

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Summer 2015 DH Courses

Special Topics in American Studies: American Histories and Futures of Climate Change
Instructor: Sara Grossman
sargross@andromeda.rutgers.edu
Summer 2015 Online Course 5/26-7/2

Description: Climate change touches all aspects of human life. It impacts small and large-scale scenarios, from the choices we make about transportation to the ebb and flow of global financial markets. As such, climate change is a global, large-scale phenomenon that manifests in local spaces and in everyday situations. This online course addresses the history American climates and American climate change in American environmental literature, policy, and media. Throughout our time together, we will learn to track the multi-scalar manifestations of “climate” and “climate change” historically and in today’s crisis landscape. Students with backgrounds in the humanities are encouraged to sign up, but a background in the humanities is in no way required. Given the very human and global stakes of the course topic, students from diverse disciplinary backgrounds, including business, finance, psychology, and/or the quantitative sciences, are encouraged to sign up. We will work through four different units throughout the course. First, a brief history of environmentalism in America between 1890 and 1960; second, the history and aftermath of toxic dumping and industrial pollution from 1960-2010; third, experiments in real-time environmental scenario planning and information tracking from recent weather events; and, finally, future scenario-planning for our ever warming and watery earth.

Instead of writing papers, students will be responsible for two “born-digital” projects that utilize historic and contemporary environmental datasets to illuminate something vital about the history of environmental concerns and climate change in America. Students will also be responsible for marking up weekly readings through Genius, as well as contributing a 250 word reflective statement on the weekly readings and theme. The born digital projects that students create might range from tracking and analyzing the manifestation of climate events through twitter or instagram, working with contemporary world climate data, or tracking and analyzing the rise of the language of climate change through Google Ngrams.


Special Topics in American Studies: Race and the Digital 
Instructor: Asha Best
asbest@scarletmail.rutgers.edu
Summer 2015 Online Course 7/6-8/12

This writing intensive course is about how race is performed, articulated and surveilled through the digital. The readings and online discussions are divided into three broad sections. We start by gaining a more critical understanding of what race is, what race does and how contemporary racial meanings are (re)produced in the U.S. by grappling with some of the questions and concepts central to the field of Critical Race Theory. We then discuss the creation of the internet in the context of U.S. nationalism and alongside the changing discourse of race. Besides the internet we’ll also reconsider digital technology that we’ve come to think of as outdated (like mixtapes and boomboxes). We’ll answer questions like: how do racialized groups use the digital to construct or respond to their social worlds? Towards the end of the semester we close by discussing how race is distributed and produced in the age of “selfies” and social media.